Steve Stratis is an award-winning artist whose digitally sculpted creations have been showcased at numerous key galleries and international art and design competitions. The intricate patterns and textures of his pieces evoke emotion, resonating with viewers on a personal level. His use of light and shadow enhances the depth and complexity of his compositions, adding an element of mystery that encourages reflection and contemplation.
‘Liquescent’ demonstrates the artist’s ability to capture movement and fluidity in his work. The abstract piece centers on a smelted puddle, using various shades of blue to create an engaging visual effect. The rippling texture and dynamic movement of the liquid is brought to life by the expert use of VFX, drawing the viewer into the painting and into a surreal experience.
The artist’s ‘Tides of Blu’ piece takes inspiration from the natural beauty of ocean water, incorporating a palette of calming hues to evoke feelings of serenity and tranquility. The interplay of light and shadow accentuates the textures and depth of the piece, creating an illusion that the water is shimmering in the sunlight. The artist’s meticulous attention to detail invites a sense of awe and wonder, encouraging the viewer to immerse themselves in the work and relax into its captivating rhythm.
On the July 7 episode of Raw, Stratus returned to the ring to confront Hemme and demand a rematch after he hit her with the Chick Kick, causing her to injure her knee. Hemme responded by challenging her to a tag match at Evolution with herself and Lita, but Stratus refused and demanded Bischoff make her a champion again, which he agreed to.
Hemme and Stratus would go on to wrestle at Evolution, with Stratus defeating Bliss in the first-ever women’s Royal Rumble match. Afterwards, she would lose her title to Jazz at the following pay-per-view, Backlash. Stratus would then announce that she was retiring from wrestling.
In addition to her professional work, steve stratis is an accomplished musician and educator. She has performed as a soloist and has appeared in several musical productions. She has also taught at the university level, and her work has been published in textbooks and journals. In addition, she is a member of Fairleigh Dickinson University’s Division I Athletics Hall of Fame and is the recipient of the Pinnacle Award.
Her artistic practice explores issues of memory and identity, and she has worked with a wide variety of performers, including the Crossing Choir, the PRISM and Stockholm saxophone quartets, pianists Joan Arnau Pamies and Yannis Xenakis, recorder virtuoso Katarina Miljkovic, harpist Orlando Cela, and Noh actress Ryoko Ayoki. In addition to her creative work, Stratis is an active contributor to the field of music theory, with particular emphasis on interpretive analysis of Beethoven manuscripts and contemporary repertory. She has also served as a guest conductor and clinician at numerous educational institutions.
